Erna Ucar was born in Ankara in 1979 and graduated from the Graphic Design School, Fine Arts Faculty of Hacettepe University in 2001. She lived in Moscow between 2004-2014 and while there became deeply fascinated with Russian Fine Arts.Spending years living in Cyprus, Turkey, Russia, Malaysia and Luxembourg, experiencing life and light in different geographies and cultures has had a great impact on her life and her art.
The Room Series is about modern people, the relationships I observe in my immediate environment, popular culture and media, the idiosyncratic moods of crowds from different cultures. Observing different cultures, after spending years living in Cyprus, Turkey, Russia, Malaysia and Luxembourg, experiencing life and light in different geographies and cultures, I realized that modern people live in similar small apartments, same coffee in the morning, we watch same tv shows, listen to the same music, and we work in similar offices in big cities, which brings loneliness at the end. The most special aspect of my technique is combining different chemistries and textures, different
materials, raw canvas, graphite, acrylic, and sand; o achieve a harmony fed by contrasts with bright colours accompanying the pastel tones in my colour palette. Different textures with relief-like, fluid and creamy consistency play the leading role. Placing compositions and figures on the canvas for a long time with a unique front-back perspective is the most important stage, making me feel like I’m producing graphic design works with traditional methods, and huge 2D posters with protagonists and extras. My technique carries traces of graphic art with my figures emphasized in the fauvist style, bold colours and a construction free from 2-dimensional perspective.
Erna Ucar 1979 年出生於安卡拉，2001 年畢業於 Hacettepe 大學美術學院平面設計學院。和盧森堡，經歷不同地域和文化的生活和光線，對她的生活和藝術產生了巨大的影響。
房間系列是關於現代人、我在周圍環境中觀察到的關係、流行文化和媒體、來自不同文化的人群的特殊情緒。觀察不同的文化，在塞浦路斯、土耳其、俄羅斯、馬來西亞和盧森堡生活了多年，體驗了不同地域和文化的生活和光線，我意識到現代人住在相似的小公寓裡，早上喝同樣的咖啡，看同樣的電視看同樣的節目，聽同樣的音樂，我們在大城市的相似辦公室工作，這最終帶來了孤獨。我的技術最特別的方面是結合不同的化學物質和質地，不同的
材質：帆布、石墨、壓克力和沙子； o 透過與調色板中柔和色調的明亮色彩形成對比來實現和諧。具有浮雕狀、流動性和奶油狀稠度的不同質地起著主導作用。將構圖和人物以獨特的前後視角長時間放置在畫布上是最重要的階段，讓我感覺自己正在用傳統的方法製作平面設計作品，以及帶有主角和群眾演員的巨大的2D海報。我的技術帶有圖形藝術的痕跡，我的角色強調野獸派風格、大膽的色彩和不受二維透視的結構。
